Begin with the section
Every project starts as a single drawn section through the site. Before plan, before elevation — we resolve how a body moves from ground to sky, and let the rest follow that cut.
Studio
We design civic, cultural and residential structures held to a single discipline — one material, one section, one idea, drawn to the last junction.
006 projects / 2020—2024
Six standing principles
The studio holds a fixed method across every commission. It is the reason a Plinth building reads the same whether it is a library in Bologna or a house on a Swiss contour.
Every project starts as a single drawn section through the site. Before plan, before elevation — we resolve how a body moves from ground to sky, and let the rest follow that cut.
We commit to a primary material early and refuse to dilute it. Concrete, brick, or timber — the building is an argument for a substance, not a catalogue of finishes.
Daylight is treated as a load-bearing element. Apertures are sized by the hour they are meant to serve, not by the elevation they happen to land on.
Junctions are drawn at 1:1 and built as mock-ups on site. A threshold is not finished until you can stand inside it. Nothing is delegated to the moment of construction.
We design for maintenance, weathering and reuse a hundred years out. The studio measures success in how gracefully a building accepts time, not in how it photographs on the day it opens.
Restraint is the brief we give ourselves. The work should recede behind the life it holds — a plinth, not a monument; a frame, not a gesture.
“A building owes the street it stands on a hundred years of good behaviour. Everything we draw is in service of that debt.”
Selected — 2020 onward